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从小在同一孤儿院长大的基주和东善，结下了超越兄弟的友谊。他们努力摆脱过去一起混的不良分子，但最终还是意外卷入一场打斗，基주因暴力罪入狱。东善的妻子允静不满丈夫把基주妻子惠兰和女儿当作自家亲人般照顾，认定丈夫与惠兰有不正当关系后开始放荡生活。东善偶然间杀死了和妻子厮混的不良分子后被追捕，惠兰帮他躲藏起来。基주出狱后，允静从中挑拨，愤怒的基주欲报复。惠兰在基주面前选择自杀。一直因曾与惠兰有过一段密会而饱受罪恶感折磨的东善，也追随惠兰而去……

戈罗戈乔·丹多拉贫民窟是肯尼亚首都内罗毕所有垃圾的倾倒地，在这里，狗、猪、牛和鸟与人们一起在垃圾中翻找食物为生。在这片斯瓦希里语中意为“垃圾”的戈罗戈乔村，一位名叫林太钟的韩国牧师组建了吉拉尼（好邻居）合唱团。在这个地方，“希望”这个词听起来都显得……

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Director Ryu Hyung-seok, who served as a conscripted firefighter during his mandatory military service, made a documentary about firefighters. Responding to calls from those on the edge of life and death, these modern-day heroes at the Yangsan Firestation and Ulsan Fire Headquarters are the focus of The First Responders. Without voiceover narration or interview shots, the film captures not only the team’s work and daily lives, but also their inner darkness, desires, and the difficult fate inherent in their profession. Here, the camera is not simply a tool for recording but is one of them, acting as their eyes. “Just strip away all emotion and focus on what you need to do,” one firefighter says, and the documentary mirrors this approach, moving steadily forward without being swept up by emotional waves. Yet the film inevitably reaches heart-warming moments. This documentary offers an exceptionally humanistic insight into the profession.

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

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